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Victorian performers were drawn from various class
backgrounds and enjoyed a unique degree of social mobility.
Nevertheless, the living and working conditions of female
performers were very different from those of their male
colleagues. Their segregation and concentration in low-status
jobs, like dancing, guaranteed economic insecurity. Actresses’
attempts to reconcile sexuality and the female life cycle to a
physically demanding, itinerant occupation while under
constant public scrutiny led to assumptions about their
morality—assumptions that were constantly reinforced by
theatrical conventions which reflected popular pornographic
images. This is an important book that brings fresh
perspectives to bear on nineteenth-century theatre. It will
be of interest to a wide range of specialists including
historians and feminist critics. |
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